This first one was done in a white stoneware clay. I put burgundy underglaze in the recesses of the stamped design and then added 2 coats of the olive glaze over top. I then fired it to cone 5.
I used the same exact clay for this pendant. I added the burgundy underglaze the same way and added 2 coats of the olive glaze just as I did on the other. I fired it to cone 5 and LOOK! See all of that blue in there? See the ghost like mist around the stamped image? None of that is present in the first one.
The only time I can say I will get the exact same result is when I use underglazes under clear glaze. That has always been reliable and boring... lol I quite like the mystery of opening the kiln lid when I use colored glazes instead. However, when someone wants a commissioned pendant to be exactly like another, that can be both frustrating and impossible.
The second pendant is available in my Etsy Shop along with two others like it.

3 comments:
That is so cool! I didn't realize how much variation there was. They both turned out beautiful.
I think that's the one thing I truly love about art. You never really know just what is going to appear. Beauties.
Hugs,
Regi
Moriah,
I bet your tummy gets butterflies when your about to open the lid of the kiln.
I have a hard time when someone wants a sculpt to look exact..OOAK art is never exact..
Love all your pendants!!
Thanks for stopping by my blog earlier, and leaving such a nice compliment :)
~Diane
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